Music of India
The music of India includes multiple varieties of folk, popular,
pop, and classical music. India's classical music tradition, including
Carnatic and Hindustani music, has a history spanning millennia and,
developed over several eras, remains fundamental to the lives of Indians
today as sources of religious inspiration, cultural expression and
pure entertainment. India is made up of several dozen ethnic groups,
speaking their own languages and dialects. Alongside distinctly subcontinental
forms there are major influences from Persian, Arabic and British
music. Indian genres like filmi and bhangra have become popular throughout
the United Kingdom, South and East Asia, and around the world.
Indian pop stars now sell records in many countries, while world
music fans listen to the roots music of India's diverse nations.
American soul, rock and hip hop have also made a large impact, primarily
on Indian pop and filmi music. Other highly popular forms are ghazal,
qawwali, thumri, dhrupad, dadra, bhajan, kirtan, shabad, and gurbani.
The earliest texts of Indian music are the Natya Shastra, Dattilam,
Brihaddeshi, and the Sangita-Ratnakara.
Indian classical music can be categorized into two generes, Carnatic
and Hindustani. The Carnatic music developed in the southern parts
of India and the Hindustani in the north. Similar to Carnatic classical
music, the two fundamental elements of Hindustani classical music
are raag and taal.
The svaras in Hindustani music have a different nomenclature in
comparison to Carnatic music. The 12 notes are called Shadja, Komal
Rishabha, Shuddha Rishabha, Komal Gaandhaara, Shuddha Gaandhaara,
Shuddha Madhyama, Tivra Madhyama, Panchama, Komal Dhaivata, Shuddha
Dhaivata, Komal Nishaadha and Shuddha Nishaadha.
Raag is the intricate system of scales and associated melodic patterns.
Raags express melodic structure. In their numerical ratios, the
scales and melodic patterns correspond with moods, colors, seasons,
and hours of day and night. This time-theory which governs the raags
is a unique feature of Hindustani music.There are about 200 main
raags, each of which is defined by its unique combination of scale-pattern,
dominant notes, specific rules to be followed in ascending or descending
and certain melodic phrases associated with it. The Hindustani music's
counterpart of the gamakams in Carnatic music are the meends. The
meends are not as demanding as the gamakams, but they are essential
for correct protrayal of certain raags.
As raag organizes melody, the other fundamental element, taal organizes
the rhythm. A taal is made up of a number of matras or beats. A
unique set of bols (patterns) define each taal. There are hundreds
of taals and the most commonly encountered one is the sixteen beat,
teentaal.
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